Skip to main content

Haemon and Antigone script work

  In this lesson we worked in pairs using the script focusing on the characters of Haemon and Antigone and the relationship between them.

So at first, we read the script as a class and discussed what we thought the subtext was, just gaining a general basic understanding of the scene  before going into pairs and working on it further.  We were then asked in our pairs to try and decipher what had happened the night before (an event that is referred to in the scene) and just create a really short semi-improvised piece that would explain the piece of script we were looking at.  So for this scene I was Antigone and my partner was Haemon and we just created this short moment of orientation where he would come in and realised that I was dressed like Ismene, smelt like Ismene, wearing all her clothes and her make up and we see his reaction to that and her reaction to him.  And we imagined Haemon to be quite shocked, confused by what Antigone was trying to do and kind of embarrassed for her. We imagine that he'd be quite awkward about it and then Antigone would be angry at Haemon for not reacting in the way she wanted him to. She imagined him to think that she was beautiful because she looked and smelt like her beautiful sister and she knows of Haemon's history with Ismene and she still questions whether it was her he loved or Antigone.  So after we had performed our short scene and looked at a few other pairs work we were then asked to stage the moment of orientation for the scene we were looking at today.  In ours we stayed quite true to the stage directions and as Haemon entered, Antigone would run up to him after making eye contact with him for a second and then they embrace and the first few lines of the script are said in this embrace and then they slowly move apart.  This lesson was only an hour long so after seeing everybody else's moment of orientation for this scene, we just got told our homework which was to write on to our scripts any bits of subtext we thought were evident in each line.  And below you can see my notes for that.


Comments

Popular posts from this blog

Stephen Berkoff Research

We have started studying the theatre style of Stephen Berkoff in our drama lessons.  Berkoff's style is non-naturalistic, he focuses much more on the movement of the actor rather than the voice, he states that the only use for the script is to 'minimalise and physicalise' the story;  it enables the story to be told in the simplest, most effective way. His Actor's use techniques such as background movement, repetitive actions and mime.  Berkoff said that it was important  'to see how I could bring mime together with the spoken word as its opposite partner, creating the form and structure of the piece'. This very interesting concept provides the core of his work, the mimelike, staccato movements accompanied by vivid, imaginative language. Berkoff studied at   L'École Internationale de Théâtre Jacques Lecoq. Jacques Lecoq was originally a gymnast and athlete who later found physical theatre after becoming aware of the beauty and rhythm in athletic movement

Woman Alone - costume and makeup

For this piece, costume and makeup has been something we have thought about in detail for a few weeks. Because of the very visual style of Berkoff's drama, it is very important to us that these elements perfectly compliment our piece: accentuating our facial expressions and physical movements as well as fitting the character of Susan and helping to define her sub-personalities.  Our initial idea was to have the faces of each personality the same and then have different costumes to differentiate the emotion they represent but we then thought that the face is such an expressive part of the body that it would make much more sense for us to do it the other way round. Therefore, the audience can see that we are the same person by our clothes and can clearly see our characteristics by the expressions painted onto our faces. The face paint will act as a mask that represents the emotion. Below are a few different examples of Berkoff style makeup: I think this way of accen

Woman Alone - Working on making the different personalities appear as one complete character

At the beginning of this one hour lesson, our teacher gave us the aim to take a piece of the script we had already worked on and work on it so that it was obvious that each personality is part of the same character. We had a brief chat as a class before trying to physically do it, we spoke about the importance of this element, the way it is so unclear at first glance that all actors are voicing the same character so the way we pass on the voice, communicate, our body language has to make it clear that we are one unit. We also discussed how this could be done with costume and makeup, for example having the same outfit for each personality but adjust it according to what that person represents. Below is the video of this experimentation and improvement process, we spent about half an hour this  and tried to try out as many different ways of passing on the voice of spokesperson as possible. We found that things as simple as looking at the person who was speaking were really effective