Skip to main content

Haemon and Antigone script work

  In this lesson we worked in pairs using the script focusing on the characters of Haemon and Antigone and the relationship between them.

So at first, we read the script as a class and discussed what we thought the subtext was, just gaining a general basic understanding of the scene  before going into pairs and working on it further.  We were then asked in our pairs to try and decipher what had happened the night before (an event that is referred to in the scene) and just create a really short semi-improvised piece that would explain the piece of script we were looking at.  So for this scene I was Antigone and my partner was Haemon and we just created this short moment of orientation where he would come in and realised that I was dressed like Ismene, smelt like Ismene, wearing all her clothes and her make up and we see his reaction to that and her reaction to him.  And we imagined Haemon to be quite shocked, confused by what Antigone was trying to do and kind of embarrassed for her. We imagine that he'd be quite awkward about it and then Antigone would be angry at Haemon for not reacting in the way she wanted him to. She imagined him to think that she was beautiful because she looked and smelt like her beautiful sister and she knows of Haemon's history with Ismene and she still questions whether it was her he loved or Antigone.  So after we had performed our short scene and looked at a few other pairs work we were then asked to stage the moment of orientation for the scene we were looking at today.  In ours we stayed quite true to the stage directions and as Haemon entered, Antigone would run up to him after making eye contact with him for a second and then they embrace and the first few lines of the script are said in this embrace and then they slowly move apart.  This lesson was only an hour long so after seeing everybody else's moment of orientation for this scene, we just got told our homework which was to write on to our scripts any bits of subtext we thought were evident in each line.  And below you can see my notes for that.


Comments

Popular posts from this blog

Stephen Berkoff Research

We have started studying the theatre style of Stephen Berkoff in our drama lessons.  Berkoff's style is non-naturalistic, he focuses much more on the movement of the actor rather than the voice, he states that the only use for the script is to 'minimalise and physicalise' the story;  it enables the story to be told in the simplest, most effective way. His Actor's use techniques such as background movement, repetitive actions and mime.  Berkoff said that it was important  'to see how I could bring mime together with the spoken word as its opposite partner, creating the form and structure of the piece'. This very interesting concept provides the core of his work, the mimelike, staccato movements accompanied by vivid, imaginative language. Berkoff studied at   L'École Internationale de Théâtre Jacques Lecoq. Jacques Lecoq was originally a gymnast and athlete who later found physical theatre after becoming aware of the beauty and rhythm in athletic movemen...

Performance review

On Wednesday it was my performance night. Overall, I was very pleased with the way it went, I have never had such a long rehearsal process so the lines and the staging for each section felt like muscle memory. I didn't have to think very hard about what my next line was and where I was supposed to be on the stage because each scene had been thoroughly rehearsed so I could really focus on embodying the character of Antigone and I had never felt so in character as I did on my performance night. Another element that we could only really engage until performance was the metatheatre element of it because when the chorus says 'she's going to have to play her part right through to the end.' I only really understood that line until that night when the audience was there. It blurred the line even further as to what was acted and what was real because I found that I didn't have to act that gut feeling of what I was about to do and each line the chorus said I slowly got more...

Woman Alone - first impressions, disecting the script

Woman Alone is a short play written by Franca Rame and Dario Fo. It is the monologue of a woman who has been locked inside the house by her seemingly very abusive and controlling husband who is talking to her neighbour across the gardens. It is a very comedic script: full of sexual innuendos, hilarious anecdotes and clever one-liners. However, this comedic language juxtaposes some very serious and sinister themes: domestic abuse, sexual exploitation, self harm, suicide, mental health and murder. Upon first read, I found the extended monologue to be very confusing as the woman changes train of thought very quickly and jumps from subject to subject very often. The language itself is very simple and the anecdotes can be followed easily but her character as a whole is very hard to understand as her intentions seem to change every second and she is constantly contradicting herself. I immediately thought that it was going to be a very challenging script to work with, however for our perf...