Skip to main content

The Haemon Scene

We worked on the Haemon scene in more frequent shorter sessions so I have condensed the process into one log. 

We first worked on Haemon's entrance in which he interrupts a conversation between Antigone and Nan, because Nurse is a comical character she is hesitant to leave and makes the situation a bit awkward and uncomfortable for Antigone and Haemon. Antigone and Haemon have had an argument the night before and that is immediately obvious due to the distance between them and Antigone's first line 'forgive me'. We staged it so that Haemon would come close to her twice, following her to front stage left and attempting physical contact by touching her hand showing his reasonable human efforts to comfort his fiancé, then she throws him off annoyed at herself for ruining her chances at making love to him and moves hastily to front stage right, again Haemon follows her and hugs her from behind which she enjoys and encourages and I think she forgets for a moment that this will be the last time she is ever with her loving fiancé. This lasts for about ten seconds before Antigone moves on to much more serious matters and Haemon gets frustrated by her childlike words and moves to the chair which is stage left, it creates a distance that is maintained for the rest of the scene with occasional pleads from Haemon which bring him further forward but Antigone puts him back in his place whenever he tries to come towards her. This shows Haemon's confusion and willing to patch up the relationship and marry Antigone even when she is being so seemingly ridiculous. 
Labels:

Comments

Post a Comment

Popular posts from this blog

Stephen Berkoff Research

We have started studying the theatre style of Stephen Berkoff in our drama lessons.  Berkoff's style is non-naturalistic, he focuses much more on the movement of the actor rather than the voice, he states that the only use for the script is to 'minimalise and physicalise' the story;  it enables the story to be told in the simplest, most effective way. His Actor's use techniques such as background movement, repetitive actions and mime.  Berkoff said that it was important  'to see how I could bring mime together with the spoken word as its opposite partner, creating the form and structure of the piece'. This very interesting concept provides the core of his work, the mimelike, staccato movements accompanied by vivid, imaginative language. Berkoff studied at   L'École Internationale de Théâtre Jacques Lecoq. Jacques Lecoq was originally a gymnast and athlete who later found physical theatre after becoming aware of the beauty and rhythm in athletic movement
Post a Comment
Read more

Woman Alone - costume and makeup

For this piece, costume and makeup has been something we have thought about in detail for a few weeks. Because of the very visual style of Berkoff's drama, it is very important to us that these elements perfectly compliment our piece: accentuating our facial expressions and physical movements as well as fitting the character of Susan and helping to define her sub-personalities.  Our initial idea was to have the faces of each personality the same and then have different costumes to differentiate the emotion they represent but we then thought that the face is such an expressive part of the body that it would make much more sense for us to do it the other way round. Therefore, the audience can see that we are the same person by our clothes and can clearly see our characteristics by the expressions painted onto our faces. The face paint will act as a mask that represents the emotion. Below are a few different examples of Berkoff style makeup: I think this way of accen
Post a Comment
Read more

Woman Alone - Working on making the different personalities appear as one complete character

At the beginning of this one hour lesson, our teacher gave us the aim to take a piece of the script we had already worked on and work on it so that it was obvious that each personality is part of the same character. We had a brief chat as a class before trying to physically do it, we spoke about the importance of this element, the way it is so unclear at first glance that all actors are voicing the same character so the way we pass on the voice, communicate, our body language has to make it clear that we are one unit. We also discussed how this could be done with costume and makeup, for example having the same outfit for each personality but adjust it according to what that person represents. Below is the video of this experimentation and improvement process, we spent about half an hour this  and tried to try out as many different ways of passing on the voice of spokesperson as possible. We found that things as simple as looking at the person who was speaking were really effective
Post a Comment
Read more