Skip to main content

Residential - Old nick Theatre - 5-6/11/16


Log for the first part of the residential:


Here is the video of the piece my group created, amalgamating the material collected from the morning's exercises. It is an abstract sequence movements that shows Antigone's fight for what she believes in.
On the evening of the first day, we took part in an incredibly immersive role play, in which we were all given characters and were to act within those characters for at least 3 and a half hours in the scenario of being locked in a dungeon. This experience was a really interesting way of exploring a character, feeling the true power of their emotions, feeling the way that that influences their actions and how their actions affected the course of the role play. I was given the character of Myriam, a young lesbian muslim from Iran, situated in the dungeon on her search for her lover who was imprisoned for killing the guards that were sent to kill Myriam due to her sexuality. After the role play, I felt I had an incredibly strong grasp on this character, I was fully aware of her characteristics, voice, emotions, movement. So when it came to the next morning and we were asked to create a short scene with our partner, acting out a pivotal moment in the story of our lives, we found it possible to just improvise the scene in our characters then improve upon it, taking the audience into consideration. We decided to create the scene in which Myriam and her partner, Sarah, meet for the first time. It is set in a war torn Iran, my character separated from her family and consoled by Emily's slightly older, more confident character. The video is linked below.
At the end of the residential, we worked on the movements we had started to work on in Wednesdays lesson when staging the opening scene of Antigone. We incorporated some of the shoulder to shoulder and hand to hand movements from the previous days work and did our sequences to the speed of the movement.

Comments

Popular posts from this blog

Stephen Berkoff Research

We have started studying the theatre style of Stephen Berkoff in our drama lessons.  Berkoff's style is non-naturalistic, he focuses much more on the movement of the actor rather than the voice, he states that the only use for the script is to 'minimalise and physicalise' the story;  it enables the story to be told in the simplest, most effective way. His Actor's use techniques such as background movement, repetitive actions and mime.  Berkoff said that it was important  'to see how I could bring mime together with the spoken word as its opposite partner, creating the form and structure of the piece'. This very interesting concept provides the core of his work, the mimelike, staccato movements accompanied by vivid, imaginative language. Berkoff studied at   L'École Internationale de Théâtre Jacques Lecoq. Jacques Lecoq was originally a gymnast and athlete who later found physical theatre after becoming aware of the beauty and rhythm in athletic movemen...

Performance review

On Wednesday it was my performance night. Overall, I was very pleased with the way it went, I have never had such a long rehearsal process so the lines and the staging for each section felt like muscle memory. I didn't have to think very hard about what my next line was and where I was supposed to be on the stage because each scene had been thoroughly rehearsed so I could really focus on embodying the character of Antigone and I had never felt so in character as I did on my performance night. Another element that we could only really engage until performance was the metatheatre element of it because when the chorus says 'she's going to have to play her part right through to the end.' I only really understood that line until that night when the audience was there. It blurred the line even further as to what was acted and what was real because I found that I didn't have to act that gut feeling of what I was about to do and each line the chorus said I slowly got more...

Woman Alone - first impressions, disecting the script

Woman Alone is a short play written by Franca Rame and Dario Fo. It is the monologue of a woman who has been locked inside the house by her seemingly very abusive and controlling husband who is talking to her neighbour across the gardens. It is a very comedic script: full of sexual innuendos, hilarious anecdotes and clever one-liners. However, this comedic language juxtaposes some very serious and sinister themes: domestic abuse, sexual exploitation, self harm, suicide, mental health and murder. Upon first read, I found the extended monologue to be very confusing as the woman changes train of thought very quickly and jumps from subject to subject very often. The language itself is very simple and the anecdotes can be followed easily but her character as a whole is very hard to understand as her intentions seem to change every second and she is constantly contradicting herself. I immediately thought that it was going to be a very challenging script to work with, however for our perf...